Every piano is different, and although there are recommended measurements for key dip, blow distance, hammer height, etc., changes are sometimes needed to suit a specific action. At this point, Danny Boone’s Regulating Grand Piano Touch and Tone suggested fully regulating … Continue reading →
With casters installed and a rudimentary understanding of action adjustments, I was able to tinker. Hammer alignment went quickly, and as predicted, the sotto voce pedal now worked properly. Since the rockers were not snugged into their final position, they tended to drift, so I touched up the hammer line and let-off, and put the action back into the piano. It was time to play!
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As I mentioned a couple of posts ago, the Weber had been without casters for about 20 years. After we moved to our log home, I was eager to make it more playable, but there was a distinct rattling!
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At the beginning of this project, my piano technician friend Jack recommended I read Regulating Grand Piano Touch and Tone by Danny L. Boone. It breaks the process down into 56 steps from reshaping the hammers to adjusting the pedals. I spent some time with it, but dove into the process with Bernard’s and Celeste’s help without really reading it all.
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After the much-needed boost of demonstrating the Weber with rebuilt action at our piano gathering, I was eager to continue. Time to align the hammers so they centered on the strings and shifted correctly when the soto voce pedal (or “soft” pedal, on the left) was pressed.
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